CFP: ICAF / International Comics Arts Forum (May 1; October 9-11)

ICAF (a conference I helped organize for several years) is a most prestigious comics event, and well-worth attending. Note the new venue. (I never did get to attend the sessions at the Library of Congress, sigh...)

The Thirteenth Annual
INTERNATIONAL COMIC ARTS FORUM (ICAF)
October 9-11, 2008
The School of the Art Institute of Chicago

The International Comic Arts Forum invites scholarly paper presentations for its thirteenth annual meeting, to be held at the School of the Art Institute of Chicago in Chicago, Illinois, from Thursday, October 9, through Saturday, October 11, 2008. The deadline to submit proposals is May 1, 2008 (see below for proposal guidelines and submission information). Proposals will be refereed via blind review.

We welcome original proposals from a variety of disciplines and theoretical perspectives on any aspect of comics or cartooning, including comic strips, comic books, albums, graphic novels, manga, webcomics, political cartoons, gag cartoons, and caricature. Studies of aesthetics, production, distribution, reception, and social, ideological, and historical significance are all equally welcome, as are studies that address larger theoretical issues linked to comics or cartooning, such as image/text relationships. In keeping with its mission, ICAF is particularly interested in studies that reflect an international perspective.

ICAF is proud to be hosted this year by the School of the Art Institute of Chicago, a leader in art education and a vital part of Chicago's arts community. In order to create a conference program that reaches out to that community and reflects Chicago's rich heritage of comic art, we particularly invite proposals which touch on cartoonists and publications from the city and surrounding region. Chicago is a major hub of American cartooning, the wellspring of a tremendous variety of work: from the political cartoons of John T. McCutcheon and Bill Mauldin, to the pioneering comic strips of the Chicago Tribune, to the seminal underground cartooning in the Chicago Mirror, Chicago Seed, and Bijou Funnies, to the "independent" comics boom of the 1980s, to contemporary alternative comics by Chris Ware and a host of others. In hopes of building a conference that responds to this important heritage, ICAF invites proposals with special interest in comics and cartoons from Chicago and the American Midwest.

PROPOSAL GUIDELINES: For its refereed presentations, ICAF prefers argumentative, thesis-driven papers that are clearly linked to larger critical, artistic, or cultural issues; we strive to avoid presentations that are merely summative or survey-like in character. We can accept only original papers that have not been presented or accepted for publication elsewhere. Presenters should assume an audience versed in comics and the fundamentals of comics studies. Where possible, papers should be illustrated by relevant images. In all cases, presentations should be timed to finish within the strict limit of twenty (20) minutes (that is, roughly eight to nine typed, double-spaced pages). Proposals should not exceed 300 words.

AUDIOVISUAL EQUIPMENT: ICAF's preferred format for the display of images is MS PowerPoint. Regretfully we cannot accommodate non-digital media such as transparencies, slides, or VHS tapes. Presenters should bring their PowerPoint or other electronic files on a USB key or CD, not just on the hard drive of a portable computer. We cannot guarantee the compatibility of our equipment with presenters' individual laptops.

REVIEW PROCESS: All proposals will be subject to blind review by the ICAF Executive Committee, with preference given to proposals that observe the above standards. The final number of papers accepted will depend on the needs of the conference program. Due to increasing interest in the conference, in recent years ICAF has typically been able to accept only one third to one half of the proposals it has received.

SEND ABSTRACTS (with COMPLETE contact information) by May 1, 2008, to Prof. Cécile Danehy, ICAF Academic Coordinator, via email at cdanehy [at] wheatoncollege.edu.

Receipt of proposals will be acknowledged immediately; if you do not receive acknowledgment within three days of sending your proposal, please resubmit. Applicants should expect to receive confirmation of acceptance or rejection by May 16, 2008.

CFP: Popular Print Culture (University of Alberta, 27-30 August 2008)

Doesn't mention comics, but definitely of interest. Also, see the website for "Wanted: Local Comics Book Artists!"

Call for Papers and Presentations
Continuities and Innovations:
Popular Print Cultures -- Past and Present, Local and Global
University of Alberta Edmonton
Alberta, Canada 27-30 August 2008

Papers and presentations are invited for any aspect of the conference theme. Proposals should be 200 to 300 words in length and clearly state the central theme or argument, the kind of popular print or related media to be considered, and its social and cultural location in time and place.

Please indicate any equipment requirements (data projector; conference computer; overhead projector; video or dvd player; audio player, etc). A brief resumé should accompany each proposal, stating the proposer’s name, address, contact information, and relevant academic, professional, or personal background and knowledge of form of popular print culture discussed.

Send proposals and resumés by email as pasted-in documents or attachments in an up-to-date format to: popprint [at] ualberta.ca. Or mail hard copies to:

Popprint
Kirsten MacLeod
Department of English and Film Studies
University of Alberta
Edmonton, Alberta
Canada T6G 2E5

Questions to either address.

Deadline for proposals is 30 May 2008. But space on the program is limited, and proposals will be considered on a first-come, first-accommodated basis.

This conference and popular arts festival consider what most people read, here and elsewhere, now and in the past. Popular print characteristically includes both words and images, and is intertwined with music and performance. In these forms it has been and continues to be one of the most powerful cultural forces in history, morphing into new media and new technologies, from the phonograph record through radio, film, and television to video games and the internet.

Popular print culture is now a global phenomenon, with striking similarities in what most people read, anywhere. Yet there are also striking local differences, inflections, and variations in what most people read, here or elsewhere. "“Continuities and Innovations"” will bring together all those interested in popular print culture--readers and writers, publishers and fans, librarians and collectors, teachers and students, and of course researchers in many academic disciplines.

Proposals are invited from all of these groups, directly addressing the conference theme, or taking up any aspect of “"Popular Print Cultures, Past and Present, Local and Global."” Topics can include relations between popular print and other media, between popular and “"high”" literatures, between words and images, between words and music, between past and present forms, and so on. Presentations may be from writers, readers, publishers, teachers, students, distributors, sellers, librarians, illustrators, opponents, promoters, adapters to other media, fans, collectors, et al. Papers and presentations can be on any relevant topic— -- reading popular print and creating it, writing it and illustrating it, publishing it and selling it, counteracting it or transforming it, adapting it and influencing it, censoring it and living it, and more. Participants may consider popular print and politics, religion, sexuality, class, ethnicity, “"race,"” nationality, or any
other theme.

Google "“Edmonton Alberta"” and "“University of Alberta”" for information on the venue. Program and other information, including travel and accommodation details, regularly updated, will be available on the conference website: www.arts.ualberta.ca/popprint

CFP: The Cult of Difficulty: Critical Approaches to the Comics of Chris Ware (collection; March 10)

Having published one of the first academic essays on Chris Ware's work myself, I'm very much looking forward to this volume!

Call for submissions for
The Cult of Difficulty:
Critical Approaches to the Comics of Chris Ware
edited by Dave Ball, Dickinson College, and Martha Kuhlman, Bryant University

The Cult of Difficulty is a proposed collection of essays on the work of Chicago-based contemporary graphic novelist/comic book artist/cartoonist Chris Ware [see ComicsResearch.org's information on Ware]. Author of Jimmy Corrigan, The Smartest Kid on Earth (2000, winner of the 2001 Guardian First Book Award), Quimby the Mouse (2003), and The Acme Novelty Library (2005), Ware has quickly emerged as one of the central figures in contemporary comics. We are currently seeking abstracts for 20- to 25-page articles that analyze Ware’'s work, with particular interest in multi- and interdisciplinary approaches to his oeuvre. A university press has already expressed interest in this collection, and we are hoping to build upon the MLA panel on Ware'’s comics this past December. Essays that address the following questions are especially encouraged, but other topics are also welcome:

• How do Ware'’s texts raise questions about representations of race, gender, class, and disability?
• How has Ware'’s work as an editor, anthologist, and collector shaped the landscape of contemporary comics and informed his own corpus?
• In what ways are questions of narrative and temporality engaged and complicated in Ware's texts? What insights do narratological and semiotic approaches offer to a reading of Ware’'s comics?
• How does Ware's work intersect with advertising culture, web sites, media, and packaging?
• What is Ware's relationship to the literary canon (both in terms of graphic and conventional literature) and how does he re-imagine our relationship to the idea of literariness?

Please send 500-1000 word abstracts (or completed articles), c.v., and contact information in Word format to warecollection [at] gmail.com by March 10th. Papers from a diversity of disciplinary orientations and methodological approaches are especially encouraged.

Image: A self-portrait by Mr. Ware.

CFP: Reading Between the Panels (Scan Journal; due Mar. 31, 2008)

Scan is a project of the Media Department @ Macquarie University, Sydney. This CFP is also available at Scan Journal's website.

Call for Papers:
Reading between the panels

Edited by:
Can Yalcinkaya – canyalcinkaya@yahoo.com
Dr Steve Collins – scollins@scmp.mq.edu.au

Comic books have been often treated deridingly as a hybrid of art and literature, but ultimately a product of low culture. Works by artists, writers and scholars including Neil Gaiman, Alan Moore, Art Spiegelman, Frank Miller, Scott McCloud, Will Brooker and Danny Fingeroth have forced a reappraisal of the space occupied by comic books. Over the last two decades comic book stories have diverged from hero-centric mythologies to more broadly explore areas such as the full gamut of the human psyche, sexuality, and politics. Beyond the stories themselves, the comic industry and economy has expanded to encompass underground, adult and alternative productions as well lucrative movie adaptations. This issue of Scan Journal invites submission on areas dealing with comic books and graphic novels that include, but are not restricted to:

• Studies of narrative
• Visual aesthetic
• Analysis of specific titles or characters
• Comics and adaptations/derivatives
• Fan fiction
• Comic book histories
• Economics of the comic book industry
• Comics and new media, Web comics, micropayment systems such as Bitpass, digital comics on DVD
• Comic books and intellectual property, for example copyright assignments, the pirate trade in scanned comics

Abstracts should be emailed to the editors by no later than 31st March 2008.

Full articles will adhere to the submission guidelines for Scan Journal and be emailed as a Word document attachment to the editors by Friday, 16th May 2008.

Submission guidelines can be found here.

CFP: Out of the Gutter: Essay Collection on Comics and Graphic Novels

Posted on behalf of Dan Hassler-Forest. Note the impending deadline for abstracts: 15 February 2008.

Out of the Gutter:
Collection on Comics and Graphic Novels

Over the course of the past two years, there has been a marked increase of academic interest in comic books and graphic novels, from a cultural theory perspective as well as from the fields of media studies and literature. However, there have been surprisingly few book-length studies on this topic published from any of these disciplinary perspectives. Hence, while Scott McCloud’s groundbreaking book Understanding Comics raised public and academic interest in this under-theorized and challenging medium, and helped to theorize the medium-specific qualities of sequential pictorial narratives, his book suspends the question of how specific disciplinary perspectives might be engaged.

This new interdisciplinary collection will bring together the work of scholars writing about comic books and graphic novels. Our collection of essays from a wide selection of academic perspectives will not only demonstrate the far-reaching influence of this exciting medium across disciplines, but it will also make this still-controversial subject accessible to a wider scholarly audience of teachers and students alike. Abstracts (1000 words) are welcome for, but not limited to, the following proposed chapters:

1. Origin stories: The history and development of the genre


2. What we talk about when we talk about comics: Theory and terminology


3. "Out of the gutter": Graphic novel adaptations


4. Men in tights?: Superheroes in the graphic novel


5. Drawing history: Non-fiction in graphic novels

Please submit abstracts and/or full-length papers (±5000 words) no later than 15 February 2008 to:

Dan Hassler-Forest, University of Amsterdam, Dep. Media Studies, Turfdraagsterpad 9, 1012 XT Amsterdam, The Netherlands - d.a.hassler-forest [at] uva.nl

Dr. Joyce Goggin, University of Amsterdam, Dep. English Literature, Spuistraat 210, 1012 VT Amsterdam, The Netherlands - j.goggin [at] uva.nl

CFP: Sweet Christmas! Constructions of Blackness in Comics and Sequential Art (anthology)

Note that a PDF version of this call for papers is available here.

Sweet Christmas!
Constructions of Blackness in Comics and Sequential Art
edited by Damian Duffy, John Jennings, and Frances Gateward
Issues of Black racial representation in comics have generally fallen into a few set categories: surveys of black characters and creators, or studies of racially denigrating stereotypes in sequential art history. Sweet Christmas! is an anthology that seeks to put forth scholarly investigations that move past categorization and into the ways comics make meaning with and/or about Black racial representation, as well as the interactions of those representations with society as a whole.

Written essays of 6,000 words and visual essays (b/w, in the comics medium, and no longer than 10 pages in length) are sought for this anthology. We welcome proposals that address the following issues theoretically or through comparative studies, through the work of individual artists/writers, or through explorations of individual titles or themes.

SUGGESTED TOPICS INCLUDE:

• Auteurist studies of Black comics writers and artists


• Historical interrogations of Blacks in the comic book industry


• Black independent comics and characters outside the superhero genre


• Milestone Comics and its legacies; what is the state of contemporary Black comics?


• The depiction of Black historical figures Afro-futurism in comics and sequential art
  
• The practice of taking white superheroes and making them Black (Captain America, Iron Man, Green Lantern, Firestorm, etc.)


• Representations of Black spirituality


• The treatment of African mythology


• Images of Black femininity and Black masculinity


• Hip Hop culture and its depictions in comics and sequential art


• The use of humor and satire in the Black tradition


• Representations of the Civil Rights Movements and Black Power Movements

This list is not meant to be inclusive; other topics are welcome. Please send your one page abstract and a short bio by January 15, 2008 to (essays due October 1, 2008):

Damian Duffy - thbt12[at]gmail.com - 142 Law Building, 504 East Pennsylvania Ave., University of Illinois at Urbana - Champaign, Champaign IL 61824

John Jennings - jayjay[at]uiuc.edu - School of Art and Design, 143 Art and Design Building, 408 East Peabody Drive, University of Illinois at Urbana-Champaign, Champaign IL 61820

Frances Gateward - gateward[at]uiuc.edu - Unit for Cinema Studies, 3072 FLB, 707 S. Mathews, University of Illinois, Urbana IL 61821

CFP: Popular Print Cultures Past and Present, Local and Global (U of Alberta, Aug 26-31, 2008)

Posted on behalf of conference organizer Kirsten MacLeod. Please direct any questions to her.

Call for Papers and Presentations
Continuities and Innovations:
Popular Print Cultures Past and Present, Local and Global
University of Alberta, Edmonton, Alberta, Canada
26 to 31 August 2008
Papers and presentations are invited for any aspect of the conference theme. Proposals should be 200 to 300 words in length and clearly state the central theme or argument, the kind of popular print or related media to be considered, and its social and cultural location in time and place. Please indicate any equipment requirements (data projector; conference computer; overhead projector; video or dvd player; audio player, etc). A brief résumé should accompany each proposal, stating the proposer s name, address, contact information, and relevant academic, professional, or personal background and knowledge of form of popular print culture discussed.

Send proposals and résumés by email as pasted-in documents or attachments in an up-to-date format to: popprint [@] ualberta.ca. Or mail hard copies to: Popprint, Kirsten MacLeod, Department of English and Film Studies, University of Alberta, Edmonton, Alberta, Canada T6G 2E5. Questions to either address. Deadline for proposals is 30 May 2008. But space on the program is limited, and proposals will be considered on a first-come, first-accommodated basis.

This conference and creative arts program consider what most people read, here and elsewhere, now and in the past. Popular print characteristically includes both words and images, and is intertwined with music and performance. In these forms it has been and continues to be one of the most powerful cultural forces in history, morphing into new media and new technologies, from the phonograph record through radio, film, and television to video games and the internet. Popular print culture is now a global phenomenon, with striking similarities in what most people read, anywhere. Yet there are also striking local differences, inflections, and variations in what most people read, here or elsewhere.

Continuities and Innovations will bring together all those interested in popular print culture--readers and writers, publishers and fans, librarians and collectors, teachers and students, and of course researchers in many academic disciplines. Proposals are invited from all of these groups, directly addressing the conference theme, or taking up any aspect of "Popular Print Cultures, Past and Present, Local and Global." Topics can include relations between popular print and other media, between popular and high literatures, between words and images, between words and music, between past and present forms, and so on. Presentations may be from writers, readers, publishers, teachers, students, distributors, sellers, librarians, illustrators, opponents, promoters, adapters to other media, fans, collectors, et al. Papers and presentations can be on any relevant topic reading popular print and creating it, writing it and illustrating it, publishing it and selling it, counteracting it or transforming it, adapting it and influencing it, censoring it and living it, and more. Participants may consider popular print and politics, religion, sexuality, class, ethnicity, race, nationality, or any other theme.

Google "Edmonton Alberta" and "University of Alberta" for information on the venue. Program and other information, including travel and accommodation details, regularly updated, will be available on the conference website: www.ualberta.ca/popprint

CFP: Mechademia 4: War/Time (Deadline:January 7, 2008 )

This is a wonderful journal. Be sure to have your library order it!

MECHADEMIA 4: War/Time
Editor: Frenchy Lunning Associate Editors: Thomas LaMarre, Christopher Bolton, Michelle Ollie

Call for Papers

Mechademia is an annual forum published by the University of Minnesota Press, for critical work on anime, manga, and fan arts. We are seeking submissions on topics linked to Japanese and international manga or anime, as well as related material from fields like fashion, film studies, fine art, game design, and global fan culture, among others. We encourage contributions in a variety of formats, by authors from a wide range of backgrounds and fields. Contributors should endeavor to write across disciplinary boundaries, presenting their unique knowledge in all its sophistication, but with a broad audience in mind.

We are currently accepting submissions for Mechademia #4, the theme of which is "War/Time." Possible topics include:

• past and future conflicts
• war and memory
• animated violence and cinematic duration
• millennialism and apocalypse
• manga histories
• heroic archetypes versus real histories
• avatar wars
• etc.

This list is only a beginning: contributors are encouraged to interpret the topic broadly and contribute their own original perspectives. Superior submissions that fall outside the theme may also be considered if space permits.

The submission deadline for volume #4 is January 7, 2008.

Submissions should be approximately 5000 words or less, plus notes. Mechademia uses Chicago style documentation. Files may be sent as attachments to submissions@mechademia.org.

Detailed submission guidelines and further information are available on our web site at http://mechademia.org.

CFP: The Secret (And Not So Secret) Origins of Comic Books (NEMLA, April 10-13, 2008)

Received from William Duffy. For more information, email William. See also the NEMLA website.

The Secret (And Not So Secret) Origins of Comic Books
This panel seeks papers that analyze the relationship between the comic book genre and its literary, mythological, and historical influences. The issues that this panel hopes to address include, but are not limited to, the following: the motivations behind comic books' appropriation of characters and ideas from other genres, the ways in which these characters and ideas change to fit the needs of the comic form, and how being adapted to comic books affects the popular view of the source material. Please email 250-500 word abstracts (in an attachment) to wsduffy@buffalo.edu. Note: Deadline for abstracts is September 15, 2007.

CFP: "Autographics" (8/15/2007)

[Thanks to new ComicsResearch & Such friend Chandra Wells, via the inestimable K.A. Laity.]

CALL FOR ARTICLES.
"Autographics": A Biography Special Issue.

The Winter 2008 Special Issue of Biography: An Interdisciplinary Quarterly will be devoted to Autographics. Guest editors Gillian Whitlock and Anna Poletti seek to explore the diverse forms of visuality and conjunctions of image, text, and materiality in contemporary life narrative. Graphic forms include visual elements such as drawings, images, and pictures, as well as elements of design and physical features of the text--for instance, the diverse use of materials in such DIY autobiographical forms as personal zines, installations, and websites. Other examples of autographics include autobiographical comix and sequential art, graphic memoir, writing on the body and body maps, self portraiture, auto/biographical uses of found objects in collage, assemblage and installation, and contemporary uses of craft.

TO SUBMIT: Manuscripts should be double spaced and ideally between 3,000 and 10,000 words. A double-blind submission policy will be followed; the author's name should not appear anywhere on the manuscript, but an accompanying cover letter should contain the author's name and address. Consultation on manuscript ideas is welcomed.

Inquiries and submissions may be sent by email to biograph@hawaii.edu, or to:

Center for Biographical Research
University of Hawai'i at Mänoa
1800 East-West Road #325
Honolulu, Hawai'i 96822 USA
(Tel./Fax 808 956-3774)

DEADLINE FOR RECEIPT OF SUBMISSIONS: 15 Aug. 2007.

CFP: International Comic Arts Forum (3/15/07; 10/18/07-10/20/07)

As I used to serve as Chair of this conference, I'm (more than a bit) biased, but ICAF is a wonderful conference, and attendees always gain a greater appreciation of comics from around the globe.

The Twelfth Annual
International Comic Arts Forum (ICAF)
October 18-20, 2007
The Library of Congress, James Madison Building, Washington, D.C.

The International Comic Arts Forum (formerly the International Comic Arts Festival) invites scholarly paper presentations for its twelfth annual meeting, to be held at the Madison Building of the Library of Congress in Washington, D.C., from Thursday, October 18, through Saturday, October 20, 2007. We welcome original proposals from a variety of disciplines and theoretical perspectives on any aspect of comics (including comic strips, comic books, albums, manga, graphic novels, political cartoons, other panel cartoons, caricature, or comics in electronic media), with a special interest in international comics. Proposals will be refereed via blind review.

PROPOSAL GUIDELINES
For its scholarly presentations, ICAF prefers argumentative, thesis-driven papers, clearly linked to larger critical, artistic, or cultural issues; we strive to avoid presentations that are merely summative or survey-like in character. We can only accept original papers that have not been presented or accepted for publication elsewhere. Presenters should assume an audience versed in comics and the fundamentals of comics studies. Where possible, papers should be illustrated by relevant images. In all cases, presentations should be timed to finish within the strict limit of TWENTY (20) MINUTES (roughly eight to nine typed, double-spaced pages).

Proposals should not exceed 300 WORDS. At the bottom of the proposal, the author should precisely state her/his audiovisual equipment needs.

AUDIOVISUAL EQUIPMENT: Our preferred format for the display of images is MS PowerPoint. Regretfully we cannot accommodate non-digital media such as transparencies, slides, or VHS tapes. Presenters should bring their PowerPoint or other electronic files on a CD or a USB key, not just on the hard drive of a portable computer. We cannot guarantee the compatibility of our equipment with presenters' individual laptops.

REVIEW PROCESS: All proposals will be subject to blind review by the ICAF Executive Committee, with preference given to proposals that observe the above standards. The final number of papers accepted will depend on the needs of the conference program. Due to increasing interest in the conference, in recent years ICAF has typically accepted only one-third to one-half of the proposals it has received.

SEND ABSTRACTS (with COMPLETE contact information) by March 15, 2007, to Prof. Cécile Danehy, ICAF Academic Coordinator, via email at <cdanehy@wheatoncollege.edu>.

Receipt of proposals is acknowledged immediately; if you do not receive acknowledgement within a few days of sending your proposal, please resubmit.

Applicants should expect to receive confirmation of acceptance or rejection by May 15, 2007.

Link

CFP: Classics and Comics (2/5/07; APA, 1/3/08-1/6/08)

The first of several comics-related calls for papers I'll be posting here today...

Classics and Comics
Outreach Panel Session at the American Philological Association
January 3-6, 2008; Chicago, Illinois

Proposals are invited for a special outreach panel on the topic of “Classics and Comics,” to be held at the annual meeting of the American Philological Association (APA) in January 2008. There are many examples of comics appropriating the classics for serious or comic purposes, including Frank Miller's 300, Neil Gaiman's Sandman, Messner-Loebs' Epicurus the Sage, van Lente's Action Philosophers, Shanower's Age of Bronze, Goscinny and Uderzo's /Asterix/ series. Since Classics Illustrated Comics' The Last Days of Pompeii in 1947, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection was cosmetic—as perhaps with Wonder Woman’'s Amazonian heritage —and at times it was almost irrelevant—as with Hercules’ starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of Classics in modern literary culture.

The APA's committee on Outreach is dedicated to promoting a wider understanding and appreciation of Classics – Greek and Roman culture of the ancient world. Each year the Outreach Committee hosts one panel on a topic designed to attract an audience from outside the APA's traditional audience (students and faculty of Classics Departments in North America). This panel is open both to members of the APA and the general public and will be advertised in the Chicago area.

The comic book has been a major element of North American popular culture for over a century and has been increasingly regarded as a legitimate artistic and literary medium. This legitimization has happened on at least two fronts: through the emergence of the 'graphic novel' and through scholar/ practitioners such as Scott McCloud and Will Eisner attempting to define the relationship of the comic book to audience, artist and other artistic media. Yet to date there has been very little work attempting to integrate the medium into a larger understanding of Western artistic and literary culture.

The following is a list of possible topics that contributors might explore, though the organizers invite proposals for exciting and engaged papers that will reveal aspects of comics and their Classical sources from any disciplinary perspective that might be relevant to the overall theme:

• the depiction of myth or ancient history in comics
• visual representations of myth or history in ancient sources and in the comics format
• discussions of any specific use of the Classics in the comics medium
• the transformation of narrative structure between ancient source material and comics
• the appropriation of motif or character typology from Classical literature
• the synthesis of visual art and text in the ancient and modern worlds
• the effect of comics on modern perceptions of Greek and Roman material
• the influence of comics on other artistic media depicting Greek and Roman material
• the legitimization of comics as literature through the use of Classical material
• Classical narratives in Manga
• comparison of comics with other forms of 'low' culture in the ancient world

The organizers are also welcoming the participation of comics writers and artists.

Contingent to the success of the panel, the organizers may wish further to develop and publish the proceedings.

Papers will be 20 minutes in length; use of visuals (through PowerPoint) is expected.

Please forward a 400-word abstract, along with a brief biographical statement or CV, as email attachments in Word or Rich Text Format to both of the organizers:

George Kovacs (george.kovacs_at_utoronto.ca)
C.W. Marshall (toph_at_interchange.ubc.ca)

Further questions may also be addressed to either of the organizers.

Abstracts will be considered beginning February 5, 2007, until the panel is filled. Submissions are encouraged before that date.

Link

CFP: MECHADEMIA 3: Limits of the Human

Mechademia is a new journal, one I'm very much looking forward to reading. It joins our list of academic journals about comic art.

MECHADEMIA 3: Limits of the Human
Editor: Frenchy Lunning
Associate Editors: Thomas LaMarre, Michelle Ollie, Christopher Bolton

Mechademia is a new annual refereed journal from the University of Minnesota Press, a forum for critical work on anime, manga, and fan arts. We are seeking submissions on topics linked to Japanese manga or anime, as well as related material from fields like fashion, film studies, fine art, game design, and American or global fan culture, among others. Mechademia's goal is to promote critical thinking, writing, art, and creative activity that can bridge the current gap between professional, academic, and fan communities and discourses.

To this end, we seek contributions in a variety of formats, by authors from a wide range of backgrounds and fields. Contributors should endeavor to write across disciplinary boundaries, presenting their unique knowledge in all its sophistication, but with a broad audience in mind. Each issue will have a theme that will focus the conversation and connect different pieces, but we encourage contributors to interpret these themes broadly in order to keep the way open for new and original kinds of work. Superior submissions that fall outside the theme may also be considered if space permits.

We are currently accepting submissions for Mechademia #3, the theme of which is "Limits of the Human." This issue will look at the way anime, manga, and related media have probed the contours human identity and activity-by imagining non-human others; by positing breakthroughs in human capability; or by showing us our own limitations as readers and viewers, among many other strategies. Possible topics include cyborg theory; new fan species; animalism and animalization; undead and the occult; speed and distance; phenomenologies and ontologies, etc. And this list is only a beginning: contributors are encouraged to interpret the theme broadly and contribute their own original perspective on the topic.

The submission deadline for issue #3 is January 5, 2007.

Submissions should be approximately 5000 words or less. Mechademia uses Chicago style documentation, though other formats are acceptable at the submission stage. Files may be sent as attachments to submissions at mechademia.org.

Detailed information about the journal's mission and submission procedures is available on our web site at http://mechademia.org.

CFPs: Research Society for American Periodicals (ALA, 24-27 May 2007)

A set of Calls for Papers of potential interest to comics scholars. See also the RSAP's Resources for Research: Periodicals.

The Research Society for American Periodicals announces calls for papers for the American Literature Association annual meeting in Boston, May 24-27, 2007:

Contemporary Popular Magazines
The Research Society for American Periodicals invites proposals for a session on contemporary popular magazines. Topics may concern magazines individually or in categories (e.g., bridal, lifestyle, news), and may consider genres, departments, contributors, or editorial/textual practices. Please email a 250-word abstract along with a 2-3 sentence bio and any a/v equipment you might need to Judith Yaross Lee: leej@ohio.edu. Deadline for submissions is January 5, 2007.

19th Century Periodicals in Transatlantic Context
The extensive circulation of British periodicals in 19thC America and, especially later in the century, of American periodicals in Britain came to exert a profound influence on the development of the two nations. The Research Society for American Periodicals invites proposals dealing with any aspect of this subject, including individual periodicals, e.g. the Westminster Review; questions of shared concern, e.g. slavery/imperialism; cultural and literary influence, e.g. Punch and American humor; or individual writers, e.g. Henry James. Please email a 250-word abstract along with a 2-3 sentence bio to Robert J. Scholnick: rjscho@wm.edu.
Deadline 5 January, 2007.

Visual Culture in American Periodicals
The Research Society for American Periodicals invites proposals for a session on visual culture in American periodicals. Topics might include the development of illustrations in early periodicals, intertextual relations between verbal and visual texts, illustrators and writers as collaborators, reading advertisements, and cover art. Please email a one-paragraph abstract along with a 2-3 sentence bio and any a/v equipment you might need to Patricia Okker: okkerp@missouri.edu. Deadline for submissions is 5 January 2007.

CFP: Comics and Graphic Novels at New Jersey College English Association, 31 March 2007

Looks like it's academic "call for papers" season again!

COMICS AND GRAPHIC NOVELS
30th Annual New Jersey College English Association
Spring Conference
Saturday, March 31, 2007
Seton Hall University, South Orange, NJ

Over the past twenty years, the "graphic novel" has become a mainstay -- if second-class citizen -- of the popular media. But can we say the form is properly understood when two of the most highly regarded "Graphic Novels" -- Spiegelman's Maus and Satrapi's Persepolis -- are not "novels" at all? This panel seeks papers challenging conventional perspectives of comics and graphic novels. Papers on all topics are welcome, but considerations of non-genre works are encouraged.

Presenters should consider delivering their work in a pedagogical manner, rather than simply reading papers. Visual and rhetorical aids (i.e., handouts, illustrations) are encouraged, as is sharing work with other panelists and distributing completed papers to the audience. For suggestions, see: de Jonge, Julie Stephens. "A Reflection on the Conference Paper Format and Ideas for Change." Modern Language Studies 35.2, 2006. 82-90.

Please send abstract and CV by Jan 2, 2007 to: Edward Shannon, Associate Professor of Literature, Ramapo College of NJ. eshannon@ramapo.edu

Edward A. Shannon, Ph.D.
Associate Professor of Literature
Convener of Literature
School of American and International Studies
Ramapo College of New Jersey
505 Ramapo Valley Rd.
Mahwah, NJ 07430
(201) 684-7425 Phone
(201) 684-7973 Fax

CFP: Comics as Art, Entertainment and Design - Scotland, 25-26 May 2007

Just received this call for papers. Note the January 31 deadline for submissions.

Biff! Bam!! Crikey!!!
Comics as Art, Entertainment and Design
Comics are an important and vital part of popular culture, shaping the early reading experiences of many children, as well as commanding an increasing body of adult readers. They can offer slapstick fun or serious literary themes and have spread into every imaginable genre (comedy, horror, war, adventure, autobiography, documentary and so on). Comics therefore have the potential to be both popular entertainment and provocative art, and have a profound influence on various other media and art-forms, including film, animation, computer games, and television.

The Six Cities Design Festival and the University of Dundee are pleased to announce this international conference, to be held in Dundee on May 25th and 26th 2007. It will celebrate the history of comics in Dundee, but will also explore wider themes, including comics as art, popular culture and design.

Suggested topics include: comics in Scotland, British comics, the intersection of British and American comics, topical and controversial comics, defining comics, and comics and other media.

Dundee is the perfect venue for this conference as the comics of Dundee-based publisher DC Thomson are known all over the world, and 2007 marks the 70th anniversary of The Dandy, widely recognised as the world'€™s longest running comic. The Dundee programme will include the publication of a comic published by DC Thomson highlighting design and innovation in Dundee.

Papers will be 20 minutes long. Proposals of around 300 words should be sent to the address below by January 31st 2007. It is the intention that the conference proceedings will be published. For further information regarding the conference contact:

Dr Chris Murray
Department of English
162 Nethergate,
University of Dundee
DD1 4HN
UK

e-mail: c.murray@dundee.ac.uk
www.six-cities.com

CFP: Neil Gaiman, Comic Book Novelist

Another Call for Papers, this time just for one panel at a larger conference (the 2007 College English Association Conference). Note the close deadline for abstracts (November 1, 2006) and that they're looking for papers focused on Gaiman's novels.

"Neil Gaiman: Comic Book Novelist"
Special panel at the 2007 College English Association Conference
March 29-31, 2007
New Orleans, LA
Deadline for submission: November 1, 2006

Neil Gaiman was first noticed by literary scholars for his work in comic books and graphic novels. Several articles and anthologies have been written about his landmark comic series, Sandman, and about his graphic novels. In the past 10 years, though, Gaiman has gained prominence as a novelist. He has authored five novels (Neverwhere [1996], Stardust [1999], American Gods [2001], Coraline [2002], and Anansi Boys [2005]) and has co-authored one novel (Good Omens [1990] with Terry Pratchett). Nevertheless, Gaiman’s novels have received little attention by literary scholars. This panel seeks 10-15 minute papers that explore unexamined questions about Gaiman’s novels. Although this panel will be open to any subject regarding Gaiman’s novels, special areas of interest include:

• Theory of the fantastic
  
• Use of traditional formats in a postmodern world (e.g., American Gods as road novel, Stardust as pre-Tolkien fairy tale)
  
• Deities and faerie creatures as metaphors
  
• The interaction between reader and text/the real and the unreal
  
• Gaiman’s portrayal of America (broadly defined)/Gaiman’s portrayal of England
  
• Literary theories applied to Gaiman’s novels (e.g., psychological, feminist, reader-response, etc.)
  

Abstracts should be 200-500 words, and should be submitted by November 1 at the following website: http://english.ttu.edu/CEA/conftool/index.php

For more information, please visit the following website: http://www2.widener.edu/%7Ecea/conference2006.htm

Tim Peoples
Department of English
Texas State University-San Marcos
Email: tim@litterarius.com

Thanks to Kate for the tip!

CFP: The Jewish Graphic Novel

Just received this interesting call for papers for a proposed scholarly essay collection:

The Jewish Graphic Novel

Essays sought for an interdisciplinary collection co-edited by an art historian and literary scholar. The growing subgenre of Jewish literary and graphic culture contains a number of significantly innovative aesthetic works that are increasingly recognized by literary critics as an exciting form of alternative narrative that may also represent the inception of a new visual literacy that has significant implications for the future of Jewish literary and artistic expression. As the catalogue of a recent art exhibit devoted to this cultural phenomenon states,

Jewish graphic novels represent an important genre in artistic expression and assert the intensity of word and image in conveying narratives that speak eloquently to the contemporary viewer. [They] offer intense visual elucidation of Jewish historic and literary events by combining intense illustration with searing social issues.

Works to be addressed may include graphic novels by Will Eisner (A Contract With God: and Other Tenement Stories, Fagin the Jew, The Plot: The Secret Story of the Protocols of the Elders of Zion); Czech writer Vittorio Giardino's trilogy of volumes about Jewish life under the shadow of totalitarianism (A Jew in Communist Prague: Loss of Innocence, A Jew in Communist Prague: Adolescence, and A Jew in Communist Prague: Rebellion); Ben Katchor's The Jew of New York; Miriam Katin's memoir of WWII survival, We Are On Our Own; Neil Kleid's portrayal of mobsters in Brownsville; Etgar Keret's surreal tales, Jetlag: Five Graphic Novellas; Joe Kubert's stunning account of the Warsaw ghetto uprising in Yossel: April 14, 1943; Joann Sfar's whimsically philosophical The Rabbi's Cat; James Sturm's disturbing parable of American racism, The Golem's Mighty Swing; and J.T. Waldman's recent bold retelling of the essential Jewish myth of power and powerlessness in Megillat Esther. The editors also hope to include an essay or two on the impact of Art Spiegelman's seminal works of Holocaust oral history in Maus: A Survivor's Tale: My Father Bleeds History and Maus II: A Survivor's Tale: And Here My Troubles Began, which crystallized the acceptance of the graphic novel as a legitimate literary form.

This collection aspires to fill an important gap in existing scholarship by offering the first collection of critical discussions to solely address the way that Jewish graphic novels grapple with Jewish history, cultural politics, antisemitism, portrayals of Ashkenazi and Sephardic identities, the role of the Holocaust in the artist's cultural and moral imagination, political controversy, literature, sacred texts, and myth through these captivating works that render image and text in hitherto unimagined forms. Other essays might consider the important role of autobiography in the graphic novel and the role of the graphic novel in the Jewish Studies classroom. This list is by no means exhaustive; other relevant theoretical, pedagogical, or cultural approaches will be considered. Authors are encouraged to use images whenever appropriate but they are individually responsible for all necessary permissions. Papers from all disciplines, or interdisciplinary submissions (whether focused on single works or comparative discussions), are welcomed.

Send brief bios along with abstracts (300 words) or complete essays that follow the current edition of the MLA Style Manual to both Ranen Omer-Sherman rosherman@miami.edu and Samantha Baskind s.baskind@csuohio.edu by 11/30/06.

Comics as a Nexus of Culture: An Interdisciplinary Conference (25-27 May 2007, Germany)

Here's a Call for Papers I just recieved for what promises to be a wide-ranging conference. For more information, contact the conference organizer (details below).

Comics as a Nexus of Culture:
An Interdisciplinary Conference
25-27 May 2007
to be held at Pfalzakademie, Lambrecht, Germany

The comic can be seen as a central node in the network of contemporary culture. Comics have developed several distinctive national "schools" but they also display a strong inherent potential for international reception, which allows them to transcend cultural boundaries easily. In a very unique way, comics mediate between the culture of youths and the culture of adults, as well as between popular culture and high culture. Comics are also intermedial because they manifest themselves at the intersection of text, image, and sequence. They have often been shaped by the influence of various neighbouring media but they have also influenced other media. Comics thus present the unique chance to engage in a truly interdisciplinary discourse which brings together the distinctive approaches of various disciplines. An approach shaped by the distinctive characteristics of comics, on the other hand, has the potential to spark off new insight in the fields of the established disciplines.

For the proposed conference in May 2007, we therefore invite papers which look at the comic as a mediator between cultures and disciplines. European comics are planned to be a special focus of the conference but we are also happy to receive suggestions for papers which find their topic elsewhere. Ideas for panels and conference events in non-traditional formats are highly welcomed.

Areas of interest include but are not limited to the following:

• different styles in European comics
  intercultural connections between Europe and the rest of the world in comics
  
• the influence of comics on film and TV and vice versa
  
• literary influences on comics and the influence of the comic on literature
  
• the subversive cultural potential of comics
  
• comics in Academia: Comics studies as an academic discipline
  
• the meta-comic
  
• realism/anti-realism and comics

Please abstracts of proposed papers (ca. 200 words) by 15 December 2006 to:

Dr. Mark Berninger
Department of English and Linguistics
Johannes Gutenberg-Universitaet Mainz
berninger@anglistik.uni-mainz.de