Tuesday, November 11, 2008

Press Release: Erotic Comics: A Graphic History (Volume 2) - From The 1970s to the Present Day

Shameless Self-Promotion Dep't: Here's a press release for the latest book I assisted on. It's pretty self-explanatory...
Erotic Comics: A Graphic History (Volume 2)
From The 1970s to the Present Day

By Tim Pilcher
(Foreword by Alan Moore)

Picking up from where the international best-selling Erotic Comics: A Graphic History (Volume 1) left off, Volume 2 reveals how European, American and Asian artists have explored the possibility of the form in the years since the explosion of the Sixties' underground comix.

Erotic Comics: A Graphic History - Volume 2 examines how the form has become an international publishing phenomenon by showcasing artwork that has inflamed desires, incensed censors, and caused controversy.

This provocative title covers everything: the erotic comics explosion in America in the mid-’80s; the gay, lesbian, bisexual and transgender comics scene; UK and European erotic comic creators since the '70s; and the Japanese hentai phenomenon. The future of erotic comics online is also explored in this fascinating and surprising volume.

In the first survey of its kind in over 20 years, Erotic Comics: A Graphic History (Volume 2) completes this fascinating two-part chronicle with previously unpublished, rare and out-of-print material, featuring insights from key artists, editors, and publishers. Fully illustrated with stunning, rare, and seldom-seen art by Howard Cruse, Gengoroh Tagame, Melinda Gebbie, Hunt Emerson, Howard Chaykin, Giovanna Casotto (whose work graces the cover), Tom of Finland, Milo Manara, Junko Mizuno, and many other top erotic cartoonists. The informative text provides a sexy, intriguing, and entertaining tour through the origins of an often-overlooked art form and comic book genre.

The book is written by Tim Pilcher, with additional research by Gene Kannenberg, Jr, and a witty and insightful foreword by Alan Moore.

What the press have said about Volume 1:
"Clearly, this very tasty-looking coffee-table book has been lovingly put together by a devotee of adult comic art... This reviewer is eagerly anticipating Volume 2... A mighty impressive package all round." - Desire magazine

"Tim Pilcher knows a thing or three about comics... the quality of this latest offering was never really in any doubt... Pilcher's book does not disappoint.… (His) extremely readable copy puts artists and sub-genres into context with a confidence borne of depth of knowledge. This is enthusiast writing at its tightest and best, and your reward for reading the words that run around the pictures will be to discover all kinds of fascinating stuff you never knew about your favourite artists... " -

"...Well written, well researched, and a well considered fun read, with a lightness of touch that had a really neat educational tone." - John Higgins, comic artist and
Watchmen colourist.

"...More than just a visual history, the book reads like a labor of love; images from pre-Depression nudie comics to modern-day Mexican
sensacionales are presented along with insightful essays that make the book perfectly suitable for a coffee-table centerpiece..." - Complex Magazine: The Original Buyer's Guide for Men

"Tim Pilcher's titillating new title… certainly covers the territory." -

"Sexy? Yes. Erotic? Yes. Prurient? Well, yes. And your point? We're all adults here, and this reading material is a delight. It's art, I tell ya, it's art!" - Martin Zimmerman,
About the Author:
Tim Pilcher has worked in and around the comics industry for over twenty years as a writer and editor. He is the author of Erotic Comics: A Graphic History (Volume 1), co-author of The Essential Guide to World Comics and The Complete Cartooning Course, and has contributed to numerous other publications including, Comix: The Underground Revolution, 500 Comicbook Action Heroes, The Slings and Arrows Comic Guide (1st Edition), 500 Essential Graphic Novels and the forthcoming War Comics: A Graphic History. He co-founded Les Cartoonistes Dangereux, a comic-book publishing house that released a range of original graphic novels, including the critically acclaimed White Death by Robbie Morrison and Charlie Adlard. He has worked as assistant editor at DC Comics; Vertigo imprint, and served as associate editor at Comics International, the UK's only comic book industry trade paper. He lives in Brighton, England.

Gene Kannenberg, Jr., is a respected historian of comics and the director of ComicsResearch.org, a centralized directory of comics scholarship that focuses on book-length works and monographs about comic books and strips. He is the author of 500 Essential Graphic Novels. He lives in Albany, New York.

Alan Moore is the world's most famous comic book writer and the author of seminal classics such as Watchmen, V for Vendetta, From Hell and the erotic comic masterpiece Lost Girls. He lives in Northampton, England.

Tim Pilcher is available for interviews, articles and general feedback. You can contact him on: tim.pilcher@ntlworld.com, pilcher@ilex-press.com and on +44 (0)7986 995 938. His blog, Sex, Drugs and Comic Books, is at: http://sexdrugsandcomicbooks.blogspot.com

[Stateside inquirers, please feel free also to contact Gene Kannenberg, Jr.]

If you would like to reproduce any images, or require a review copy of either book, please drop Tim a line stating what publication the review is for, and when it will appear.

Tim Pilcher will chairing an Erotic Comics Panel at the ICA in London on Sunday 23 November '08 at 4pm, along with artists Erich Von Gotha, Lynn Paula Russell, Garry Leach and Oh, Wicked Wanda! creator and writer Frederick Mullally.

Tim Pilcher will also be attending the 36th Festival International de la Bande Dessinée in Angoulême, France (29 Jan.–1 Feb. ’09) and the New York Comic Con (6-8 Feb. ’09).

Erotic Comics: A Graphic History (Volume 2) is published by Ilex Press in the UK on 8 January 2009 and by Abrams ComicArts in the USA, on 1 March 2009 (192pp Hardcover £20/$29.95)

Erotic Comics: A Graphic History (Volume 1) is published by Ilex Press in the UK, and Abrams in the USA, and is available now (192pp Hardcover £20/$29.95)


Erotic Comics: A Graphic History (Volume 1) has just been banned by Australian customs from entering the country. Customs have demanded that a special large sticker with an "M" on it MUST be placed on the cover -- indicating that the book is for "Mature Readers" -- otherwise the books will be prevented from being sold in Australia. Tim Pilcher said, "I find it ludicrous and risible that the Australian authorities need a big sticker to point out the book is for 'adults only'. Surely the word 'Erotic' in the title gives it away? Perhaps they got confused with the word 'Comics' and couldn't believe that adults read sequential literature!"

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Daniel Verdejo EL EROTISMO EN LA PREHISTORIA EROTIC ART - PREHISTORY As we can see through different images, they had sexual intercourse with animals, homosexual relations and more than two people at the same time. http://www.arterupestre-c.com/1000.htm Venus - Venuses http://www.arterupestre-c.com/1000ven.htm There is o ne sculpture that is emblematic, found in 1908, after lots of research and different epochs being affirmed as the real o nes about this sculpture, now they believe it was done around 24,000-22,000 BC. It shows a woman with a large stomach that overhangs but does not hide her pubic area. A roll of fat extends around her middle, joining with large but rather flat buttocks, there's no face and seems that at this place there is a hat or even hair rolled up o n the head. Her genital area would appear to have been deliberately emphasized with the labia of the vulva carefully detailed and made clearly visible, perhaps unnaturally so, and as if she had no pubic hair. This, combined with her large breasts and the roundness of her stomach, suggests that the "subject" of the sculpture is female procreativity and nurture and the piece has long been identified as some sort of fertility idol. The fact that numerous examples like that of a female figure. All generally exhibiting the same essential characteristics - large stomachs and breasts, featureless faces, minuscule or missing feet - have been found over a broad geographical area ranging from France to Siberia. That suggests that some system of shared understanding and perception of a particular type of woman existed during the Paleolithic. Daniel Verdejo - Barcelona España arterupestresi@hotmail.com

4/04/2009 1:14 PM  

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