CFP: Phoenix Comicon Comic Art Conference (3/30; 5/27-30)

Call for papers

The Phoenix Comicon is sponsoring a comic art conference in conjunction with its programming from May 27-30, 2010. Based on participant interest, we are expanding the scope of the comics conference to include broader areas of comics scholarship.

We are seeking papers for presentations from academics, teachers, artists, retailers, and others who engage comics on either a practical or scholarly level. The conference will feature a number of themes, and respondents are encouraged to pitch their own ideas or propose a panel discussion.

Technology and the comics: Futures and Resistance

• Critical approaches to and innovations in web comics
• The shift from traditional illustration and distribution methods to digital methods
• Applications and analysis of “infinite canvas” texts
• Constrained comics and other resistance authors/artists

Comic culture in the 21st century

• Changes in how we sell, collect, and consume comics
• Scanlations and manga
• Teaching comics
• Cosplay and costuming

Media blending

• Video games and comics
• Movie and other adaptations
• Motion comics and other web-based media

Respondents are encouraged to expand on this list in shaping their proposals. Respondents are also encouraged to pitch alternate panels.

Graduate students, artists, writers, industry professionals, independent scholars, and academics are all encouraged to submit. We envision our panels as representing a variety of perspectives geared toward the broad audience of the Phoenix Comicon. Panels will last for one hour. Presenters will be asked to make a short presentation, followed by a moderated panel round table and a Q and A session with the audience. Presentations integrating audio and visuals are recommended. Please note any A/V needs along with your proposal.

Please submit a 300-500 word proposal to Dr. Kathleen Dunley at DrDunley@gmail.com by March 30, 2010. Proposals will go through a peer review process and those accepted will be notified via email.

ImageText 5.1 Published

The new issue of ImageText, the journal about comics from the University of Florida, was just published. Here's the homepage for this issue. Contents include:

Articles
Graphic Whiteness and the Lessons of Chris Ware’s Jimmy Corrigan	Juda Bennett and Cassandra Jackson
Watchmen: The Graphic Novel as Trauma Fiction	Brandy Ball Blake
The Confluence of Heroism, Sissyhood, and Camp in The Rawhide Kid: Slap Leather	Frank Bramlett
"To the Stables, Robin": Regenerating the Frontier in Frank Miller's Batman: The Dark Knight Returns	Theo Finigan
Breaking the Frame: Political Acts of Body in the Televised Dark Knight	DT Kofoed
"Mosaic Thresholds": Manifesting the Collection and Production of Comics in the works of Chris Ware	Aaron Mauro
The Beautiful Ambiguity of Blankets: Comics Representation and Religious Art	Benjamin Stevens
Reviews
"Now you will pay a dreadful penalty!": A Review of I Shall Destroy All the Civilized Planets! and You Shall Die by Your Own Evil Creation! by Fletcher Hanks	Terry Harpold
Colophon
Notes on Contributors

The Use of Sequential Art in Therapy: A Qualitative Study

I received this request over email from Roderick Castle, and I'm posting it here in hopes that some of you might choose to participate. --Gene

I am a graduate student in Art Therapy at Nazareth College in Rochester, New York. My thesis is a qualitative study on the use of "comics" in counseling and education. I would appreciate any help you could provide in getting responses to this short questionnaire on the subject. This study has already been approved by my school's Human Subjects Research Board. Thank you. Here is the link:

http://www.surveygizmo.com/s/181557/the-use-of-sequential-art-in-therapy-a-qualitative-study-questions-for-professionals

CFP: SANE journal (July and October)

This looks like it could become a very important new journal...

CFP: First and Second issues of
SANE journal:
sequential art narrative in education
(ISSN 2153-2613)

SANE journal is now seeking submissions for works of research, practitioner-based articles, reviews, and rationales regarding its first two themed issues. Information about this new peer-reviewed, open access interdisciplinary journal covering all things comics-and-education-related, from pre-k to doctorate, can be obtained by visiting http://www.sanejournal.net. For more information, e-mail James Bucky Carter: jbcarter2 at utep dot edu.

V1.1 (late 2010 release or per article as considered ready by review board): “Comics in the Contact Zone.”

Mary Louis Pratt defines the contact zone as “social spaces where cultures meet, clash and grapple with each other, often in the contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today” and where those involved in the educational experience may “reconsider the models of community that many of us rely on in teaching and theorizing and that are under challenge today.” Texts are social spaces, of course, and the comic book may be the best indicator of this fact. How do you see comics as meeting, clashing, and grappling with social issues in your classrooms when you teach them? How do comics illustrate contact zone precepts such as speech acts, transculturation, unsolicited oppositional discourse, autoethnography, and safe houses? How does the integration of comics themselves set up contact zones in the classroom? Which texts do you teach to get at notions associated with contact zone pedagogy? How does teaching a comics course set up a contact zone with professional colleagues, departments, university officials, etc? Articles should make explicit mention to contact zone theory and its component concepts. Deadline July 2010.

V1.2 (planned 2011 released or per article as considered ready by the review board): “Teaching the Works of Alan Moore.”

Alan Moore may be the most influential and controversial comics writer of the 20th and 21st centuries. How do you teach his complex, multilayered works in your high school classrooms, your college courses, etc? What are the challenges associated with teaching his texts or specific texts and how do you and your students address them? Can they be addressed? How does his output “fit” with notions of literature, literary, canon, etc. as you teach them in your courses? Articles may cover several of Moore’s texts or focus specifically on one. Deadline October 2010.

CFP Reminder: Fractured Images / Broken Words (conference: February 15; June 12)

Note: The organizers of the following conference are still looking for participants!

Fractured Images / Broken Words
A Multi-Disciplinary PostGraduate Symposium
Department of English and Creative Writing
Lancaster University, UK
June 12, 2010

Keynote Speakers:
Professor Terry Eagleton, Lancaster University
and
Andy Diggle, comic-book writer and former editor of 2000 AD

Featuring art installations by Christine Dawson

Click here for our original post about this conference.

A COMICS STUDIES READER Wins the 2009 Peter C. Rollins Book Award

As posted today at the blog for the University Press of Mississippi,

A Comics Studies Reader has just been named winner of the 2009 Peter C. Rollins Book Award by the Southwest Texas Popular/ American Culture Association. This prize is awarded annually for the best book in popular culture studies and/or American culture studies.

Editors, Jeet Heer and Kent Worcester have been honored for their exemplary work in the popular culture field. Designed to reward genuine research and lucid expression, the award bears the name of Peter C. Rollins, Founder of the SWTX organizations.

See UPM's original blog post for more information. Congratulations, Jeet and Kent!

Full, proud discosure: This book reprints my essay on Chris Ware. You can see the book's complete table of contents at its ComicsResearch.org page.

CFP: Arthurian-Themed Comics Collection (1/30/10--1st Stage)

CFP:
Arthurian-Themed Comics Collection
(1/30/10--1st Stage)

In commemoration of the upcoming 75 anniversary of PRINCE VALIANT, I am seeking brief proposals (apx. 200-500 words) for a collection of essays on comics (comic strips, comic books, graphic novels, web comics, and adaptations into other media) based on or inspired by the Arthurian tradition. The collection will be edited by myself and Jason Tondro.

Please submit proposals to the editors for first-round consideration by 30 January 2010. (A second call for papers will be distributed this spring.)

Michael A Torregrossa
The Society for the Study of Popular Culture and the Middle Ages
34 Second Street
Smithfield, RI 02917-3627
United States
Email:Arthur.of.the.Comics@gmail.com
Visit the website at http://Arthur.of.the.Comics.blogspot.com/

CFP: Time & Space - IBDS Conference (November 30; July 8-9, 2011)

For more information about the International Bande Dessinée Society, visit its website.

International Bande Dessinée Society
Seventh Bi-Annual Conference
Friday 8 and Saturday 9 July 2011
Manchester Metropolitan University
Manchester, England

Call for Papers
Time and Space

We welcome proposals on all aspects of time and space in bande dessinée, including narrative and thematic levels.

Bande dessinée is a spatial medium which has the resources to manage both narrative time and narrative space in multiple ways. The indeterminacy of the interframe space allows for complex relationships between the chronology of the narration and the chronology of events within the diegesis: it may be used to distend or accelerate the narration, and to manipulate order through analepsis and prolepsis, rarely signalled as overtly as in film. Different temporalities may also co-exist within a single panel, as the capacity of the medium to blur boundaries between inner and outer worlds makes it possible for remembered or half-repressed material to break through into the daily reality of a protagonist. The representation of space is similarly complex, as the spatial transitions within the diegesis are overlaid by the non-linear spatial patterning of the page, and the book, as a whole.

Time and space have long been key themes of the medium: in the classic period of Franco-Belgian production, history, science fiction and adventure were major genres, and in more recent work by artists associated with alternative publishing houses, the intertwining of the personal and national past has emerged as a key area of interest, along with revisionist histories, often of the colonial period. Adventure has tended to give way to reportage, and to the exploration of the spaces of modernity, and postmodernity, including non-lieux, heterotopias and marginal spaces associated with exclusion.

The signifying practices of the medium in relation to time and space have been theorised by scholars including Fresnault-Deruelle (linear and tabular dimensions of the medium), Benoît Peeters (the notion of the périchamp, and the typology of mise en page), Thierry Groensteen (codes of arthrology, regulating the articulation of panels), Jan Baetens and Pascal Lefèvre (spatial integration of text into the image) and Scott McCloud (typology of transitions). The ambition and experimentation of bande dessinée that has been produced by contemporary artists has encouraged scholars to employ frameworks of analysis drawn from a variety of disciplines, including postcolonial theory and cultural geography. Current academic work on bande dessinée is building on this theoretical base and extending it: we intend that the conference should provide a forum for significant advances, and in particular to create synergy between narrative and thematic approaches to time and space.

Please send papers to either

Dr Matthew Screech, Manchester Metropolitan University - m.screech@mmu.ac.uk

Or

Dr Ann Miller, University of Leicester - am84@leicester.ac.uk

Deadline: November 30, 2010

Image credit: By Tanitoc, from the IBDS website.

CFP - Comics: Cultures & Genres (Jan. 15; April 13-14)

The Graphic Novel and Comic Conference
COMICS: CULTURES & GENRES
Manchester Metropolitan University, UK
13-14 April 2010

Comics and graphic novels enjoy a paradoxical relationship with mainstream culture. Their narratives and characters are familiar to mass audiences through their adaptations in film, television and other mass media. However comics’ texts are rarely known or read outside comic book cultures. In recent years comics have instigated themselves into the public consciousness due, to a number of diverse circumstances such as the narrative possibilities they offer in an increasingly complex transmedia landscape.

This conference aims to explore the intersections between comic books, graphic novels, their audiences and the ways they reflect the cultures and subcultures that produce them. The conference themes reflect the scope and aims of Routledge’s new journal, Journal of Graphic Novels and Comics, edited by David Huxley and Joan Ormrod, (first issue July 2010).

Abstracts of up to 250 words are invited around (but are not confined to) the following issues:

• Genres (horror, romance, superheroes, autobiography, experimental etc)
• Underground/alternative comics
• Censorship
• Online comics
• Political and topical issues
• Fans and audiences (subcultures, gender, subcultural production)
• Comics production and distribution systems
• Experimental comics

Presentations will be 20 minutes long.

Abstracts should be sent by 15 January 2010 to David Huxley (D.Huxley@mmu.ac.uk) and Joan Ormrod (J.ormrod@mmu.ac.uk)

Read the full call for papers: http://www.tandf.co.uk/journals/cfp/rcomcfp1.pdf

Find out more about the Journal of Graphic Novels and Comics: http://www.tandf.co.uk/journals/rcom

CFP - 3rd annual New Narrative conference: Narrative arts and visual media (March 31; May 6-7)

3rd annual New Narrative conference:
Narrative arts and visual media
An interdisciplinary conference
at the University of Toronto
6-7 May 2010

In keeping with the spirit of sequels, we are again soliciting papers on a wide range of graphic novels, comic art, and related visual media. Comics, whether in the form of novelistic illustrations, newspaper serials, animated films, film adaptations, graphic novels, or sequential art narratives, have been with us since the rise of literature itself, yet until recently such media have never been considered "serious" - or at least, serious enough to be considered novels that might be on university syllabi. But are illustrated novels and live action films really about the pictures and not the narrative? How can the history of the form be reconciled with consumer culture and the ill-defined categories of "high" and "low" culture?

Papers which examine and interpret these narratives in interdisciplinary forms are most welcome. Essays on novelistic illustrations, newspaper serials, animated films, film adaptations, graphic novels, or sequential art narratives may consider the following (incomplete) list:

• graphic novels and auto/biography
• illustrated and multi-media works
• web design and on-line comix
• film adaptations of comics
• series; engravings and caricatures
• the Comics Code Authority
• the "invention" of manga
• geopolitics/war and the graphic novel
• bande desinée & European comix
• early comics & comic history
• illustrations in (literary) novels
• woodcut and "silent" artists

Proposals should be 400-500 words and must clearly indicate significance, the line of argument, principal texts considered, and relation to existing scholarship (or originality). One email copy of the proposal, and a 50 word bio note must be included, as an attachment in MS Word.

Deadline for proposals is 31 March 2010 (responses by 08 April 2010)

Jeff Parker, Assistant Professor, and/or Dr Andrew Lesk
Department of English, University of Toronto
E-mail: andrew.lesk@utoronto.ca

See also http://andrewlesk.com/conferences.html

This Conference will take place just before the Toronto Comics Arts Festival on May 8 and 9. (See Torontocomics.com)

CFP: Bilder des Comics (Germany) (Feb. 28; Nov. 25-27)

FYI.

Gesellschaft für Comicforschung (ComFor)
5. Wissenschaftstagung
Bilder des Comics: Visualität, Sequenzialität, Medialität
25.-27. November 2010
Justus-Liebig-Universität Gießen

Call for Papers

Seit dem sogenannten „Iconic Turn“ haben sich in den Humanwissenschaften neue Forschungsansätze und Untersuchungsgegenstände etabliert. Weit über ästhetische Fragestellungen hinaus sind Themen der Bildlichkeit keine Marginalie mehr, sondern stehen im Zentrum des kulturellen Selbstverständnisses der Moderne. Die mediale Fokussierung auf Techniken und Praktiken der Schriftlichkeit und oralen Kommunikation wird so durch Kriterien einer bildlichen, visuellen, ikonischen Erschließung und Produktion von Welt ergänzt und wesentlich erweitert. Diese These ist für die modernen Gesellschaften um so überzeugender, als deren Alltagswelten stark geprägt sind von der Präsenz von Bildern und ganzen Bildwelten. Wenn sich kulturelle Realität u.a. maßgeblich über Medienrezeption erschließt, dann muss die Wahrnehmung von Bildern ebenso wie die Kommunikation und Sinngebung über Bilder als kulturell relevant akzeptiert werden. In Frage steht dabei unter anderem, ob es eine Sprache oder vergleichbare Semiotik der Bilder gibt – oder ob Bildlichkeit vielmehr einer Eigenlogik folgt, die sich auch in den kulturellen Repräsentationsmodi niederschlägt, welche das Bildliche zwischen den Individuen und kulturellen sowie gesellschaftlichen Zusammenhängen vermitteln. Sofern Bilder außerdem stets an mediale Träger gebunden sind, ist nach deren Spezifika zu fragen. Im Anschluß an McLuhan ist schließlich davon auszugehen, dass ein spezifisches Medium auch spezifische Weisen der Kommunikation und der Rezeption ausbildet, also kulturelle Bedeutungslagen eigensinnig gestaltet. Die gleichzeitige Manipulation und Ermöglichung von Wahrnehmung, insbesondere durch seinen ikonischen Index, ist jedem Medium daher eingeschrieben.

Speziell eine über Bilder getragene Form wie der Comic bietet sich für eine Untersuchung dieses Aspekts an: Comics sind seit ihrer modernen Konzeption in besonderer Weise Ort und Anlaß für gesellschaftliche, künstlerische und akademische Reflektionen über die sich wandelnde Orientierung auf Bilder gewesen, sie sind damit zugleich Schauplatz, Archiv und Testgelände für zahlreiche mediale Veränderungen gewesen. Denn wenn sich Gesellschaft nach Flusser tatsächlich in Richtung einer zunehmenden Betonung ikonischer Zeichen bewegt, dann stellt der Comic eine Schnittstelle in der Generierung von Bedeutung mittels Schrift und mittels Bildlichkeit dar. Elemente der Schriftkultur und des Lesens verbinden sich hier mit solchen eines sequentiellen Sehens, das narrative Kontexte jenseits der reinen Ikonographie erst erschließt. Die Repräsentation des Bildes, der Sog der Wahrnehmung beim Rezipienten, die Genese eines kohärenten Wirklichkeitszusammenhangs im Zuge semiotischer Prozesse, die Erstellung von Formen artifizieller Präsenz im Comic ist daher zu untersuchen. Fragen aus diesem Spektrum wird die 5. Wissenschaftstagung der Gesellschaft für Comicforschung (ComFor) aufgreifen und diskutieren.

Datum: 25.-27. November 2010

Ort: Justus-Liebig-Universität Gießen

Organisation: PD Dr. Jörn Ahrens, Justus-Liebig-Universität Gießen

Abstracts: Themenabstracts von maximal 300 Wörtern Umfang richten Sie bitte bis spätestens 28. Februar 2010 per Email an Jörn Ahrens (joern.ahrens@sowi.uni-giessen.de). Das Abstract soll den Titel sowie das Anliegen des Vortrags, eine kurze biobibliographische Angabe sowie Name, Email-Adresse und Anschrift enthalten. Die Vortragsdauer liegt bei maximal 30 Minuten.

Forum: Die ComFor öffnet auch in diesem Jahr ein Forum als Werkstatt für die Vorstellung und Diskussion laufender und geplanter Forschungsprojekte zu jedem Aspekt der Comicforschung. Hier kann insbesondere der wissenschaftliche Nachwuchs seine Arbeit etwa im Rahmen von Qualifikationsarbeiten vorstellen. Abstracts folgen der oben beschriebenen Form und Einreichfrist; die Vorträge sollen eine Dauer von 15 Minuten nicht überschreiten.

Unterkunft: Eine Liste mit Hotels wird Ihnen mit den Tagungsunterlagen zugeschickt.

Old Comics for a New Year

Richard Graham of the University of Nebraska-Lincoln's Love Library has made public a large (183 item) collection of U.S. Government-sponsored comic books and related documents, all downloadable as PDFs. Battle Drugs with Captain America! Stay Healthy with Nutri-Man and Vita Woman (also en Español)! Learn to Duck and Cover! And lots, lots more.

Several people have pointed out this great resource to me, and it's high time I shared it, too. Click here for the main page.

Call for Panelists: Technology and the Comics (Feb. 19; May 27-30)

The University of Advancing Technology and Phoenix Comicon invite scholars, graduate students, industry professional, artists, and writers to submit presentations for Phoenix Comicon. This year's theme will explore the role of technology in shaping the medium and its future.

Advances in technology have fundamentally changed the look of the comics as well as how the reader engages with the comics. From the recent Microsoft Live Labs project that enables users to design infinite canvases, to the continued growth and popularity of web comics, technology is opening doors to both creators and consumers of the medium. At the same time, popular authors like Gregory “Seth” Gallant continue to innovate using the classical tools of the trade, while the “constrained comics” movement works to scale back the infinite possibilities of technologically enhanced comics. This atmosphere encourages both debate as well as reflection on the future of the comics as a medium. We are seeking papers that address the role of technology in shaping the mediums of comics, webcomics, graphic novels, and hybrid works. Possible topics include the following:

• Digital archiving and distribution
• The changing role of syndicated comics and the decline of newspapers
• Critical approaches to and innovations in web comics
• The shift from traditional illustration methods to digital methods.
• Scanlations and their impact on manga
• Applications and analysis of "infinite canvas" texts
• Constrained comics and other resistance authors/artists
• History and future of comic art technology
• Interactive comics and "motion comics"
• Innovative uses of illustration technologies
• Changes and challenges in writing relating to technologically enhanced comics
• Challenges of blending mediums (comics to video games, manga to anime, etc)

Respondents are encouraged to expand on this list in shaping their proposals.

Graduate students, artists, writers, industry professionals, independent scholars, and academics are all encouraged to submit. We envision our panels as representing a variety of perspectives geared toward the broad audience of the Phoenix Comicon. Panels will last for one hour. Presenters will be asked to make a short presentation, followed by a moderated panel round table and a Q and A session with the audience. Presentations integrating audio and visuals are recommended. Please note any A/V needs along with your proposal.

Please submit a 300-500 word proposal to Dr. Kathleen Dunley at DrDunley@gmail.com by February 19, 2010. Proposals will go through a peer review process and those accepted will be notified via email.

More information on the Phoenix Comicon, including lodging information, can be found at our website: http://www.phoenixcomicon.com/.

Kathleen Dunley
University of Advancing Technology
2625 W. Baseline Rd
Tempe AZ 85283

Call for Applications: Swann Fellowship (Febrary 15)

FYI!

Applications for the 2010-2011 Swann Fellowship, one of the few graduate fellowships supporting scholarly work in caricature and cartoon, are due February 15, 2010. The Swann Foundation for Caricature and Cartoon, administered by the Library of Congress, seeks to award fellowship funds up to $15,000 each year. For criteria, guidelines, and application forms, please see: http://www.loc.gov/rr/print/swann/swann-fellow.html

Please email swann@loc.gov or call (202) 707-9115 if you have questions.

New Journal and CFP: Journal of Comics and Graphic Novels

Today I received word of yet another forthcoming academic journal devoted to comics scholarship. This time it's Journal of Comics and Graphic Novels, from Routledge. As always, you can find a complete list of journals related to comics scholarship at the Academic page of ComicsResearch.org.
Here's how the journal is described at its website:

The Journal of Graphic Novels and Comics is a peer reviewed journal covering all aspects of the graphic novel, comic strip and comic book, with the emphasis on comics in their cultural, institutional and creative contexts. Its scope is interdisciplinary and international, covering not only English language comics but also worldwide comic culture. The journal reflects interdisciplinary research in comics and aims to establish a dialogue between academics, historians, theoreticians and practitioners of comics. It therefore examines comics production and consumption within the contexts of culture: art, cinema, television and new media technologies.

The journal will include all forms of 'sequential imagery' including precursors of the comic but in the main emphasis will be on twentieth and twenty-first century examples, reflecting the increasing interest in the modern forms of the comic, its production and cultural consumption.

The general Call for Papers is available as a PDF, but here's the gist:

Contributions are invited on a wide range of comic-related topics including, but not limited to:

Genres (horror, romance, superheroes, experimental, autobiographical etc), underground/alternative comics, censorship, online comics, political and topical issues, fans and audiences (subcultures, gender, subcultural production), comics production and distribution systems, representing famous people in comics (American Presidents, sports heroes, film stars, iconic figures from history).

Possible topics for future themed issues include: Gender issues (comics as male dominated institutions, creators, audiences, representations, women fans, women creators in small press comics), individual genres (horror, romance, superheroes etc), adaptations, convergence culture, key creators (Moore, Hergé, Ware, Crumb, Eisner, McCay, Herriman etc) and national comic cultures (Manga, Latin America, Bande Dessineé etc).

Articles between 5000-7000 words should be emailed to: David Huxley (D.Huxley@mmu.ac.uk) and Joan Ormrod (J.Ormrod@mmu.ac.uk) or posted to: Faculty of Art & Design, Manchester Metropolitan University, Chatham Building, Cavendish Street, Manchester, M15 6BR, UK

I'll be curious to see how these new journals will differentiate themselves from others in the field once they begin publication...

CFP: Comics and Medicine: Medical Narrative in Graphic Novels (January 29; June 17)

Call for papers:

Comics and Medicine:
Medical Narrative in Graphic Novels

17th June 2010
School of Advanced Study, Institute of English Studies
University of London

Confirmed keynote lectures by
Paul Gravett and Marc Zaffran

This one-day interdisciplinary conference aims to explore medical narrative in graphic novels and comics. Although the first comic book was invented in 1837 the long-format graphic narrative has only become a distinct and unique body of literary work relatively recently. Thanks in part to the growing Medical Humanities movement, many medical schools now encourage the reading of literature and the study of art to gain insights into the human condition. A serious content for comics is not new but representation of illness in graphic novels is an increasing trend. The melding of text and visuals in graphic fiction and non-fiction has much to offer medical professionals, students and, indeed, patients. Among the growing number of graphic novels, a sub-genre exploring the patients' and the carers' experiences of illness or disability has emerged.

Papers and posters are invited on issues related to, but not restricted to, the
following themes:

• What motivates authors to produce graphic narratives with medical content?
• How does the audience for this growing genre differ from traditional markets for so-called 'pathographies'?
• What additional insights can graphic narratives offer into healthcare compared with literature and film?
• What international trends are discernible in the production and reception of medical graphic narratives?
• What are the ethical implications of using graphic narratives to disseminate public health messages?
• What are the strengths of graphic fiction in bioethics conversations? In conversations between patients and health care workers?
• How have patients (and patient communities) turned to graphic fiction to communicate health care and advocacy information to other patients, their family and surrounding community, and their physicians?
• How do patient-created graphic fictions/narratives differ from physician- or health-care industry-created graphic narratives? What does this imply about the role played by graphic fiction in institutionalized medicine?
• How can graphic stories be used in medical education and patient education?
• What are the roles of graphic stories in enhancing communication within the medical profession, in scholarship and in the medical humanities?

Contributions are sought from humanities scholars, comics scholars, healthcare professionals, comics enthusiasts, writers and cartoonists.

300 word proposals for a 20 minute paper or a poster should be submitted by Friday 29th January 2010 to submissions@graphicmedicine.org

Abstracts may be in Word, WordPerfect, or RTF formats, following this order: author(s), affiliation, email address, title of abstract, body of abstract

We acknowledge receipt and answer to all proposals submitted. Abstracts will be peer-reviewed blind and papers for presentation will be selected by Friday 26th of February 2010.

A report of the conference will be submitted to relevant journals and websites. All the papers and posters accepted for and presented at the conference will be eligible for development in a themed volume (subject to funding).

Paul Gravett is a London-based freelance journalist, curator, lecturer, writer and broadcaster, who has worked in comics publishing and promotion since 1981. He has curated numerous exhibitions of comic art in Britain and in Europe and since 2003 has been the director of Comica, London's International Comics Festival at the Institute of Contemporary Arts. Paul is the co-author, with Peter Stanbury, of the books Manga: 60 Years Of Japanese Comics (2004), Graphic Novels: Stories To Change Your Life (2005), Great British Comics: Celebrating A Century Of Ripping Yarns & Wizard Wheezes (2006), The Leather Nun & Other Incredibly Strange Comics (2008) and he is the editor of The Mammoth Book Of Best Crime Comics (2008). On television he has been a consultant and interview subject on The South Bank Show's programme Manga Mania (2006) and BBC4's documentary series Comics Britannia (2007). Also, he appeared as interview subject in the DVD documentary The Mindscape Of Alan Moore (2007). He continues to write about comics for various periodicals.

Marc Zaffran, M.D. is a French-born Family Physician and a writer (under the pen name Martin Winckler). He is currently a researcher at the University of Montreal. He has written forty books including novels and essays on patient-doctor relationship, the ethics of healthcare and the representation of Doctors in mass-media fiction including pulp novels, television drama and comic-books. He is currently studying the works of a French doctor and comic-book artist, Charles Masson.

For more information go to http://www.graphicmedicine.org or http://ies.sas.ac.uk/events/index.htm

Animation 4.3 (2009) - Comics and Animation Special Issue

The brand-new issue of Animation: An Interdisciplinary Journal is a special issue: "Comics and Animation." Click this link for the table of contents, with links to abstracts. Looks like there could be some fascinating stuff here.